The photographic works are shaped by the interplay between human-made materials and structures and the organic forms of non-human agents. Together, they create surfaces that, when removed from their original context, appear deliberately composed. Photography serves as an imaginary canvas on which seemingly random interactions generate strikingly new aesthetic qualities. Once again, the artistic process is deeply influenced by external forces — humans, non-human entities, chemical processes, weather, and the inherent properties of materials. Through a deliberate choice of framing, the viewer's gaze is directed toward this unique synthesis of structures, which often escapes everyday perception. The resulting photo-graph becomes a testament to unnoticed aesthetic formations that emerge in the world without ever demanding attention.
